Quiet vessels,
shaped by fire and patience.
Thrown on a kick-wheel using coarse iron-bearing mountain clay. Fired in an anagama wood kiln for four days and nights, allowing natural pine fly-ash to melt into organic, unrepeatable glazes.
Four days of relentless stoking with split red pine cordwood.
Clay body vitrifies into stone density impervious to water.
Zero chemical paints; natural falling wood ash fuses into olive glaze.
Only flawless survivors bearing serene flame patterns are released.
Unique Ceramic Monographs
01. Solitary Plum Blossom Vase
Coarse pebble texture with heavy scorched fly-ash glaze along the shoulder. Sits grounded with quiet poise.
02. Wabi Black Iron Tea Bowl
Comfortably cupped in two palms. Matte carbon rim transitioning into subtle crystalline iron sparks inside the well.
03. Sculptural Basalt Centerpiece
Organic undulating rim shaped without molds. Displays rich warm orange flame flashing from direct ember contact.
Dialogue with the Potter
Inquire regarding specific architectural vessel commissions or international gallery exhibitions.